In a previous post I have discussed the close links between fairies and elder trees. As a seasonal posting today, I’m examining fairies and their relationship to holly.
I was recently browsing the journal, Welsh Outlook- A Monthly Journal of National Social Progress, in the collection of the National Library of Wales. The title doesn’t sound too promising for those searching for faerylore, but luckily I wasn’t put off. In volume 2, issue 10 (October 1915) there was an article on Snowdon Folklore, which recounted the story of Merfyn Ffowc, a shepherd.
Merfyn got lost in a thick mist on the mountains near Cwn Llan and, after wandering for some time, he heard a voice crying out in distress from higher above him. He clambered up a steep rock-face to find a small woman trapped in a cleft into which she had slipped. She was dressed in green, with silver shoes, and spoke a language he couldn’t understand- evidently a fairy. He carried her down the cliff and, almost as soon as they had reached the bottom, two men appeared, calling out for ‘Silifrit.’ Appreciative of Merfyn’s rescue, they presented him with a holly staff as a sign of their gratitude, and almost instantly vanished.
It turned out that this staff was lucky. Within the year Merfyn married a rich widow and his flocks expanded amazingly: every ewe gave him two lambs. It seems, however, that he didn’t fully appreciate (or recognise) the role of the fairy gift in his good fortune. As a result, he was caught one night in a terrible storm as he returned home from an evening drinking in Beddgelert and he lost his holly staff in the raging wind and rain. With the stick went all Merfyn’s new prosperity: all his sheep were washed away in the floods and he ended up poorer than he had started.
The holly staff seems to have had a magical significance for the fairy donors- as other examples will show. As for the fairy’s name, this type of name is something I’ve discussed in an earlier posting as well as in my book Famous Fairies.
The Welsh story immediately reminded me of another one, much older and from the other side of Britain. On June 17th 1499 in Norwich, John and Agnes Clerk and their daughter, Marion, appeared before a church court accused of sorcery. The family lived in Great Ashfield in Suffolk where the daughter had developed a reputation as a healer, soothsayer and finder of buried treasure. Marion immediately confessed everything, admitting that the fairies helped her whenever she needed information. Amongst their assistance was a holly stick that they had given her: her mother had taken it to the church on Palm Sunday, mixed up with the palm fronds, to be blessed, and Marion then used the stick to find treasure.
Two cases; two holly sticks from the faeries. What more do we know about the connection between this tree and the Good Folk? The plain answer has to be: not a lot. Katharine Briggs mentions in her Dictionary of Fairies that the holly is a fairy tree, along with the better known elder, oak and rowan, but she does not offer us more than this. In the traditional Scots ballad of The Elfin Knight, holly is mentioned in the refrain in two versions of the song: for example, “Sing green bush, holly and ivy.” See versions K & L in Child’s Ballads– these two refrains strongly indicate a faery or supernatural association with the shrub.
Robert Graves, in The White Goddess, gives a very full treatment of the magical and mythical significance of this shrub. He finds associations with the legends of King Arthur, Robin Hood and Sir Gawain and the Green Knight. He also traces much deeper Druidic, Classical and Biblical links. None of these are specifically fae, but the symbolic power of the tree seems very clear.
Reverting to British folklore, in the Scottish Highlands, holly is recorded as having been used to ward off the sith folk at New Year. Perhaps its potency derives from its prickles (cut gorse is used in another story to defend against the faeries), from its evergreen (and therefore ‘immortal’) qualities and from its red berries. Just as with the rowan, which is regularly used as a protection against faery attack, red is a very powerful and defensive colour.
As I have described before, the countryside is full of shrubs and herbs that have positive and negative fairy associations. I have discussed the elder tree in an earlier post and I examine other faery plants in chapter 5 of my book Faery (2020).
For more on the faeries’ interactions with nature, see my book Faeries and the Natural World (2021):