The brownie is one of the most intriguing creatures of British folklore. Fairies can seem alien and elusive, seldom seen and dangerous when they are encountered, whereas the brownie is domestic, helpful and ever-present. I have described this homely presence in many northern British homes and farmsteads in my book British fairies and in an earlier post on brownies; what I wish to discuss here is the literary history of the brownie- and how we arrived at the characters of Dobby, Winky and Creacher in the Harry Potter series of novels.
One of the earliest appearances of the brownie in literature (as opposed to folklore) is in the work of Victorian children’s writer Mrs Juliana Horatia Ewing, who was born in Yorkshire in 1841. Whilst growing up she often acted as storyteller to the rest of her family and, aged 23, her best-known story, The Brownies, was published in the Monthly Packet with illustrations by George Cruikshank.
The Brownies and the related story, Lob-lie-by-the-fire (1874) both ostensibly concern household elves, and relay much traditional lore about them, but in Lob the lob is revealed to be just the orphaned stable boy John Brown whilst in The Brownies we are let in on the secret well before the end that “All children are Brownies” and that “there [are] no brownies but children.” In fact, Mrs Ewing was far more interested in teaching children to be helpful and obedient to their parents than she was in recording authentic folklore.
In The Brownies two lazy and selfish boys called Tommy and Johnnie are taught the virtues of helping their widowed father with his trade and household chores:
“The Brownies, or, as they are sometimes called, the Small Folk, the Little People, or the Good People, are a race of tiny beings who domesticate themselves in a house of which some grown-up human being pays the rent and taxes… When they are idle and mischievous, they are called Boggarts, and are a curse to the house they live in. When they are useful and considerate, they are Brownies, and are a much-coveted blessing… in time these Little People are Brownies no longer. They grow up into men and women.”
When Tommy and Johnnie have learned their lesson and begin to help their father, good luck returns to the house:
“Before long Tommy began to work for the farmers, and Baby grew up into a Brownie, and made (as girls are apt to make) the best house-sprite of all. For, in the Brownie’s habits of self-denial, thoughtfulness, consideration, and the art of little kindnesses, boys are, I am afraid, as a general rule, somewhat behindhand with their sisters… For these Brownies -young ladies!- are much desired as wives, whereas a man might as well marry an old witch as a young Boggartess.”
Mrs Ewing knew her folklore very well, even she did not apply it directly in her stories. Brownies, lobs and hobs bring good fortune. For the expense of a bowl of water, milk or cream and some fresh bread, the house-elf would do the work of many servants: sweeping and laying the fire, setting out breakfast, tidying rooms, weeding the garden, threshing the corn, cleaning the stable, cutting wood, thinning the turnips and lifting potatoes. Householders knew not to alienate their brownies: they were not to reward them with clothes or money, they were to show them respect and they knew not to boast or gossip about them, not to spy upon their labours and not to preach to them. If these precepts were respected, a farmstead would thrive. In Lob-lie-by-the-fire it was believed that the lob’s presence meant that the crops improved, the hens laid well, rats did not eat the ducklings, no fowl were stolen and the butter churned better.
The next significant appearance of brownies was in the work of Canadian illustrator Palmer Cox (1840-1924). He produced a series of brownie titles which have been claimed as “the first commercial comic books.” Each of these dozen books were prefaced by a brief statement that:
“Brownies, like fairies and goblins, are imaginary little sprites, who are supposed to delight in harmless pranks and helpful deeds. They work and sport while weary households sleep, and never allow themselves to be seen by mortal eyes.”
This is a fair summary of the established lore, but it is not reflected in the books themselves, which comprise numerous illustrations interspersed amongst verse- for example, here is the ‘Brownies’ ride’ from The Brownies: their book of 1887:
“One night a cunning Brownie band/ Was roaming through a farmer’s land/ And while the rogues went prying round/ The farmer’s mare at rest they found.”
A few of the series titles and chapter headings will illustrate how far Cox had travelled from authenticity. In the first book, The Brownies, readers were entertained by brownies on skates, bicycles and roller skates, brownies playing tennis and baseball and brownies enjoying canoeing and tobogganing and visiting a gym, the seaside and a toy shop. In 1890’s Another brownie book readers were amused by brownies fishing, kite flying, yacht racing, learning to swim and dance and attending a fancy ball. And so on; the books were immensely popular and were used by some forty companies including Kodak (the ‘box brownie’ camera) and Proctor and Gamble.
In The brownies and Prince Florimel brownies are described as being the size of twelve year olds, often perching on fences and hiding adroitly whenever danger threatens. This conforms to conventional imagery, but as will have been seen in the verse quoted earlier, Cox has them partaking of their adventures in swarms, more like pixies or spriggans than the solitary creatures they were originally conceived as. In the same story, by the way, the fairies are ruled by Queen Titania and are tiny; they “never grew old and always remained beautiful. Their loveliness of face and form was beyond all description. Just try to think of the prettiest girl you ever saw. Well, even the plainest of these fairies were ever so much prettier.”
In the 1920s and ’30s Enid Blyton adopted brownies as the subjects of several children’s books, including The book of the brownies, The little brownie house, Snicker the brownie, The brownie who pulled faces, My first nature book- brownie magic and several others. The first book mentioned seems typical: naughty brownies Hop, Skip and Jump are always playing tricks; they are then tricked themselves by Witch Green Eyes into helping her to abduct fairy princess Peronel. For this the three are expelled from fairyland and set out on an adventure to rescue her. Very much like Cox, Blyton’s fairies seem a good deal more like pixies than the traditional solitary creatures who labour on farms.
J K Rowling
It was not until the late 1990s and the appearance of the Harry Potter series that brownies were restored to something resembling their original character in children’s literature. J K Rowling had plainly studied folklore and the history of alchemy and magic quite extensively before writing her books; this is demonstrated by her treatment of Dobby and the other house-elves. The name Dobby is not Rowling’s invention. The native brownie of East Anglia was called Mr (or Master) Dobbs; in Yorkshire he was Dobby and further north in Northumberland and the Borders, he (or she) was called Dobie.
In the series, house-elves are depicted as magical creatures who are intensely devoted and loyal to those designated as their masters. House-elves serve wizards and witches, usually being found in the employment of old wizarding families and bound to do everything that their masters command- unless they are freed. A house-elf can only be freed when their master presents them with clothes (a classic fairy tale trope). In part due to their absolute obedience, house-elves are treated very brutally by their owners: they have no rights of their own and are viewed as servants without feeling or emotions. To symbolise this, they usually wear makeshift clothes made from found objects such as pillowcases and rags (again, typical of the traditional brownie). These garments can become quite filthy, yet- as a further expression of the fact that they have no needs other than those specifically allowed to them by their masters- the house-elf will not clean them. Indeed, so subservient are they that house-elves will torture and maim themselves if they think they have displeased their master.
Large numbers of house-elves are also employed at Hogwarts School of Witchcraft and Wizardry. They work the kitchens, preparing feasts for the entire school. They also move luggage to and from rooms and clean the dormitories and other areas.
The Society for the Promotion of Elfish Welfare (S.P.E.W.) was group founded by Hogwarts student Hermione Granger in response to what she saw as gross injustice in the treatment of house elves during the quidditch world cup. Despite attracting little interest or sympathy in her campaign from fellow students, Hermione persisted, employing tactics such as badge-making and petitioning, albeit with very little effect. Eventually, she started knitting hats and socks which she left lying around, hoping to free some unsuspecting elf who picked them up and put them on while cleaning the common room. In due course, the elves became angry at Hermione’s attempts at liberation by stealth. The friendliest house-elves working at the school, Dobby and Winky, were considered disgraces by the rest of their colleagues; this is due to Dobby accepting payment and a holiday whilst Winky despairs after she loses her master, turning to drink and doing no work.
Rowling’s are serious and rounded characters. She preserves the significance of clothes to their release and incorporates the brownies’ work ethic, although the element of enslavement against which Hermione campaigns is not derived from British tradition.